Tag: dress

03 Oct

Tasmanian Blues Robe Dress and Nigella Blues Smock-2

Amelia Hoskins / Dress, Dressing Gown / / 0 Comments

FEATURES:  Collar is of hand dyed silk, from natural Tasmanian eucalyptus tree bark dye  then painted over.  Silk sample designs see here. [add link]

APPLIQUE DECORATION:  Nigella Seed pod designs from my drawings of dried seed pods in my vegetable garden:  see seed photos on photography site resonant-visions Beige lace has a similarity to the thin casings of the pods as they break down.

BLUE Patchworks

Abstract with text print blue/white cotton-viscose.

Feather print navy-white cotton.

Navy blue lace lined on gold.

Stylised flowers blue-gold-navy cotton print.

Gold embroidered cotton.

PLUS :  Gold plant dyed silk. Leopard print blue-black-grey. Chinese Bird of Paradise with gold texture cotton.

Applique - Seed Pods of Nigella 'Love in a Mist'

Robe Dress has applique lace pod dyed in eucalyptus dye bath after the collar piece. Colour took well, which is a guide to fabric content being cotton or silk. Dark centres to seed pod designs are cut from eucalyptus dyed silk (iron modified).  Light centre to pod is from bundle steam died silk with seeds and petals.  Nigella blues has variable on same pod idea.  A motif is a good means to join over a seam (smock left top). Also provides contrast to break up a solid dark or light area.

NIGELLA BLUES Smock Top Dress

When there are enough patches prepared, another garment can be made.  Size and shape was dictated by the blouse used as an underlining, the colours of which were a perfect match, being cream brown and pale blue.  Short sleeves made in dark blue lace.  Coconut buttons with bound buttonholes.  Applique patches again created with eucalyptus dyed lace and bundle dyed silk.  Back hem is drooped lower.

AVAILABLE :  £85.00 - Direct from maker

Nigella Blues Smock – Bound buttonhole sewing – Click to enlarge

Tasmanian Blues MAKING PROCEDURE

02 Jul

Abalone Diamonds Dress

Amelia Hoskins / Dress / / 0 Comments

Summer smock styled dress with lace neck feature and diamond patchworks in abalone themed colours of fine fabrics.

Summer dress or over-top is light and cool,  Lace neckline yoke feature with gatherings of lightweight floaty patchworks under yoke.  Back neck button but not needed as dress fits over head.  Model is about size 10 to 12 (UK).

Dress on dummy shows additional yoke decoration and scalloped flap inserted between yoke and dress patches

 

Five different patch pieces used when joining the diamonds together in diagonal rows, stitching on the 'straight' (not stretchy) edge of a diamond.  Using a strong paper template, place one edge on the 'straight grain' to draw around and cut out. Stitch the 'straight grain' sides together when joining a strip diagonally.

 

Yoke lace is taken from a blouse, and lined with a fabric which has transparent blue roses (seen in the patches); which holds the entire yoke firm.  Same lining fabric is neck edging turnover.  Bottom of yoke open to insert patchwork portion; gathered at bust curve-over area.  This works well - see model.

Matt blue from blouse is used for decorative 'cover' over front yoke seaming, and as 'flab edging' over bust line. (not shown this photo).

This unique dress Abalone Diamonds: max bust.   back neck to hem.   hem circumference

£140.00.   Shop to be integrated 2024:

21 Mar

Rose Antique and Burgundy Kimono

Amelia Hoskins / Silk Painting / / 0 Comments

Silk and Satin Kimono Dress ' ROSE ANTIQUE'

Patchwork features hand painted habotai silk top and lower ahimsa silk painted patchwork

 

Patchworks created over burgundy polyester satine shirt/nightshirt which forms lining.  Existing collar and button welt are utilised on the outside, while patchworks are created exactly to fit over shirt shape.  The burgundy satine has a pink rose print which top fabrics coordinate with.  Sleeves have been extended some inches, with darker purple Ahimsa silk borders left over from a previously logwood-dyed silk.  Two different silk painting pieces were created to coordinate with all chosen fabrics.   Loose size fits up to 42" bust.  Model is average size.

Silk Painting (top):  Comfrey dyed Habotai silk with hand painted Roses over pale soya wax resist, Celtic Triskels and red motifs from one of the prints.  The cream silk looks antique in tone when laid over the darker burgundy.

Silk Painting (hem):  Hawthorn dyed Ahimsa silk with bundle dyed texture of Sycamore leaves, then hand painted over with leaf outlines and roses, with painted motifs copied from a coordinate.   Silk painting method below...

 

LEFT Centre:  Triskeles and Roses on Habotai silk. 

 RIGHT Left: Sycamore leaves and Roses on Ahimsa silk.

COLLAR:  Utilised from lining shirt. The outside of the shirt becomes the inside lining of Kimono.  BACK:  Burgundy colour scheme echoed in intricate centre print on voile.

Side Views

Sleeves are extended from underlying burgundy shirt to create 'kimono' style.  Dark purple remnant of a silk painting forms wide extended border.  Lined with colour coordinating viscose in lilac cloud print.  The original outline of the shirt tail slits is followed.

 

ROSE ANTIQUE BURGUNDY KIMONO available £160.00 - Direct from maker.  (new purchasing coming soon...)

FRONT BUTTONING - Upper - Middle - Lower    BUTTONS - Heart shaped painted wood.

SLEEVES  -  Lining is viscose which extends to outer sleeve to form a border with dark purple, logwood-dyed, Ahimsa painted silk patchwork.

HEM BOTTOM LAYER - Original curved slit outlines followed of underlying burgundy shirt (as lining)

Techniques used in Silk Painting preparations

SOYA WAX RESIST:  My own photos were used, all enlarged to similar size, to make paper stencil cut-outs, for comfrey-soy-waxed-roses.  Rose petal areas were roughly painted in hot soya wax.  When wax was well set, the silk was placed in a cold comfrey dye bath, which showed cracking of wax after immersion, so I squeezed the roses slightly around a centre point, which produced the cracks as lines from the centre of pale rose shapes.

STEAM PRINTED PETALS and seeds are imprinted by bundle-steam method. Result is a few colour imprints of colour in areas between the roses.  Rose petals shapes were lost by the cracking effect, so they were painted finally with a more stylized curly petals.  Triangle was cut out where something was stained.  This was utilised as neck area on kimono construction.  CONCLUSION:  This technique would be good on darker backgrounds, to be tried!

Sycamore Roses Steam Printed Leaves and Painted Roses on Ahimsa Silk

Sycamore leaf steamed bundle print produced a brown texture, interesting by itself; however for this garment, I added more over painting to match with patchwork fabric designs.  The red  outlines weren't needed; a blurred background to bring out the leaf areas would have sufficed.

30 Dec

Jerkin Dresses

Amelia Hoskins / Coat Dress / / 0 Comments

JERKIN DRESSES -  Linen - Wool - Corduroy  - (Sold)

I enjoyed making these jerkins, and they had great appeal, as they are suitable for English weather, warn over T-shirts and leggings Spring and Winter

Using different wools together

RUSTICA - Printed scarf used at front and back. Wool check which continues on angle at front

D'ARTAGNON - back view shows skirt pleat inverted to give shoulder width, subsequently sold at pop up Art shop

Jerkin MULBERRY WALNUT

Modelled by Boo at Exeter Arts Centre Crafts show

A favourite jerkin, utilised plain beige cotton/wool mix with colourful red check patched pocket, side vents, and collar.

Side vents were used because the beige fabric is taken from trousers, using the top part across the shoulders, with leg sections tapering down below hips.

Red check contrast fabric is from a Per Una skirt for side vent flares (seen clearly in this image), collar and pocket. Tabard sleeve edges bound in red check.

Wooden brown buttons add to the rustic feel.

Collar is large when opened and high fitting when closed against wind. Collar alone used vogue pattern; darted for shape. Uses lots of fabric.

02 Dec

Garments Available

Amelia Hoskins / Dress, Dressing Gown, Jacket, Skirt / / 0 Comments

HANDMADE ORIGINAL CLOTHES - A variety of leisure, fun and decorative ladies' patchwork.

Aldebaran

Uniquely shaped, with deep kimono styled sleeves and collar extended to hem.

Red-Pink-Black-Cream patchworks.  Knee length with lace-up adjustable front to adapt bust size.

Available to BUY on Shamanic Nights FOLKSY shop

Purple Shimmers

Kimono styled below knee dress, (same style cut as dress Aldebaran) in panels of purples, navy and floral prints.  Close fitted back top, with skirt section gathered slightly below bust into high waist.

Unique adjustable front lacing.  Front lower skirt stitched closed but can be reopened to customer's preference for open lower dress below lace-up.

Available to BUY on Shamanic Nights FOLKSY Shop

Tasmanian Blues

Robe dress in blue cotton and viscose; below knee, with unique seed pod applique decoration.

Collar is silk painted, on hand dyed gold collar, from maker's eucalyptus bark dye session.

Available to BUY on Shamanic Nights FOLKSY Shop

Tropical Parrots

Lose fit large shirt dress in olive green/black/bright pink with parrots print back, and beige green orange passion flowers front printed panel. 

Lined in black viscose shirt with orange flower print: allows dress to be worn in reverse.

SHAMANIC NIGHTS FOLKSY Shop [ to be added]

Nigella Blues

Short sleeved large smock top in same fabrics as Tasmanian Blues robe-dress.

Front buttoned, floral print lined.

Shamanic Nights FOLKSY Shop [ to be added]

Cappuccino

Two dresses in coffee/cream/black patchwork: multi styled with stretch cotton bandeau top which performs dually as a dress bust hold up, or cummerbund if worn as a skirt.

Two variations: Black lace hem, lined in nylon knit with coffee coloured feature patchwork print 'Love Never Dies'.

White fringed hem version, unlined, no feature coffee patchwork; just cream and black.

Shamanic Nights FOLKSY Shop [ to be added]

Cherry Fluzzies

Two patchwork panelled dresses with bright cerise knitted buttoned tops.

Two variations:  An A-line knee length; and a flared wide skirt with frilled hem on knee

Both have same knitted top. 

Shamanic Nights FOLKSY shop (to be added)

Hopi Birds  Dress

Adaptation of scarlet red linen skirt, with linen and viscose back panels using Vogue pattern.

Ornate front polyester print patterned applique.  Maker's hand silk painted lower tie-back panels of 'Hopi Birds' on black, and white.

Name derived from abstract bird designs on Hopi pottery.

Shamanic Nights FOLKSY Shop [to be added]

Hopi Birds Grey  - Post

Pinafore dress with full silk painted bib front, and panels of thick grey cotton with silk piped

edgings.  Silk painted front panel of 'Hopi Birds', from Hopi potter designs.

Slim fit hips 34-35: model Marian

Shamanic Nights FOLKSY Shop [ to be added]

 

Butterflies and Pansies

Frivolous tea party dress in pink and maroon silk, with silk (bundle dyed) sleeves, pink-mauve shot taffeta and cotton with pansy print.

Silk painted front panel of nigella seed pod with butterflies and banana leaves.

SHAMANIC NIGHTS FOLKSY Shop [ to be added]

Kokopelli

Shirt sleeved button fronted smock top dress in grey and lilac, with lower section gathered at bust line.

Lilac/white long striped sleeves have pre-existing turn up tab to elbow.  Muted grey/white viscose rose print front and back. 

Front has large silk painting one side, featuring Kokopelli design from rock carvings.

Shamanic Nights FOLKSY Shop [ to be added]

Persian Piri Dress

Dress converted from mustard yellow cotton/viscose tunic top, with pink/green abstract print lower frill.  Lace lower frill, sleeves and collar.  Extra long featured two toned pink sash.

Maker's appliqued silk painted panel of 'Piri' figure from Persian illustrations.

SHAMANIC NIGHTS FOLKSY Shop [ to be added]

Images copyright Amelia Jane Hoskins Please email for use permission.