Category: Dressing Gown

15 Aug
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Jade Garden Robe

Amelia Hoskins / Coat Dress, Dressing Gown, Robe / / 0 Comments

PATCHWORK ROBE Jade Garden in furnishing cottons and green taffeta. Suitable as summer coat, or house coat, as seen modelled by Coral on a cloudy day in Falmouth, Cornwall.

Robe unbuttoned. Belt modelled not available. Robe has linen sash.

Warm robe, in thick cottons, with full 'coat-collar'.  Below knee length.  Front buttons of pewter finish.  Lining: brown cotton (upper) and cream satin (lower), with cream satin sleeve lining convertible as cuffs.

02 Dec
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Garments Available

Amelia Hoskins / Dress, Dressing Gown, Jacket, Skirt / / 0 Comments

HANDMADE ORIGINAL CLOTHES - A variety of leisure, fun and decorative ladies' patchwork.

Aldebaran

Uniquely shaped, with deep kimono styled sleeves and collar extended to hem.

Red-Pink-Black-Cream patchworks.  Knee length with lace-up adjustable front to adapt bust size.

Shamanic Nights ETSY Shop

Purple Shimmers

Kimono styled below knee dress, (same style cut as dress Aldebaran) in panels of purples, navy and floral prints.  Close fitted back top, with skirt section gathered slightly below bust into high waist.

Unique adjustable front lacing.  Front lower skirt stitched closed but can be reopened to customer's preference for open lower dress below lace-up.

Shamanic Nights ETSY Shop

Cappuccino

Two dresses in coffee/cream/black patchwork: multi styled with stretch cotton bandeau top which performs dually as a dress bust hold up, or cummerbund if worn as a skirt.

Two variations: Black lace hem, lined in nylon knit with coffee coloured feature patchwork print 'Love Never Dies'.

White fringed hem version, unlined, no feature coffee patchwork; just cream and black.

Shamanic Nights ETSY Shop

Tropical Parrots

Lose fit large shirt dress in olive green/black/bright pink with parrots print back, and beige green orange passion flowers front printed panel. 

Lined in black viscose shirt with orange flower print: allows dress to be worn in reverse.

[To be added to Etsy shop]

Tasmanian Blues

Robe dress in blue cotton and viscose; below knee, with unique seed pod applique decoration.

Collar is silk painted, on hand dyed gold collar, from maker's eucalyptus bark dye session.

Shamanic Nights ETSY Shop

Nigella Blues

Short sleeved large smock top in same fabrics as Tasmanian Blues robe-dress.

Front buttoned, floral print lined.

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Cherry Fluzzies

Two patchwork panelled dresses with bright cerise knitted buttoned tops.

Two variations:  An A-line knee length; and a flared wide skirt with frilled hem on knee

Both have same knitted top. 

[Add to ETSY]

Hopi Birds  Dress

Adaptation of scarlet red linen skirt, with linen and viscose back panels using Vogue pattern.

Ornate front polyester print patterned applique.  Maker's hand silk painted lower tie-back panels of 'Hopi Birds' on black, and white.

Name derived from abstract bird designs on Hopi pottery.

Shamanic Nights ETSY Shop

Hopi Birds Grey  - Post

Pinafore dress with full silk painted bib front, and panels of thick grey cotton with silk piped

edgings.  Silk painted front panel of 'Hopi Birds', from Hopi potter designs.

Slim fit hips 34-35: model Marian

Shamanic Nights ETSY Shop

 

Butterflies and Pansies

Frivolous tea party dress in pink and maroon silk, with silk (bundle dyed) sleeves, pink-mauve shot taffeta and cotton with pansy print.

Silk painted front panel of nigella seed pod with butterflies and banana leaves.

[Add to ETSY]

[Add to ETSY when sash added]

Kokopelli

Shirt sleeved button fronted smock top dress in grey and lilac, with lower section gathered at bust line.

Lilac/white long striped sleeves have pre-existing turn up tab to elbow.  Muted grey/white viscose rose print front and back. 

Front has large silk painting one side, featuring Kokopelli design from rock carvings.

Shamanic Nights ETSY Shop

Persian Piri Dress

Dress converted from mustard yellow cotton/viscose tunic top, with pink/green abstract print lower frill.  Lace lower frill, sleeves and collar.  Extra long featured two toned pink sash.

Maker's appliqued silk painted panel of 'Piri' figure from Persian illustrations.

[Add to ETSY ?]

[to be added to shop 2021]

05 Nov
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Tasmanian Blues Robe Dress and Nigella Blues Smock

Amelia Hoskins / Dress, Dressing Gown, Robe / / 0 Comments

FEATURES:  Collar is of hand dyed silk, from natural Tasmanian eucalyptus tree bark dye  then painted over.  Silk sample designs see here. [add link]

APPLIQUE DECORATION:  Nigella Seed pod designs from my drawings of dried seed pods in my vegetable garden:  see photos on photography site resonant-visions [add link].  Beige lace has a similarity to the thin casings of the pods as they break down.

BLUE Patchworks

Abstract with text print blue/white cotton-viscose.

Feather print navy-white cotton.

Navy blue lace lined on gold.

Stylised flowers blue-gold-navy cotton print.

Gold embroidered cotton.

Gold plant dyed silk.

PLUS – Leopard print blue-black-grey and  Chinese Bird of Paradise with gold texture cotton.

Applique Seed Pods Nigella 'Love in a Mist'

Robe Dress has applique lace pod dyed in eucalyptus dye bath after the collar piece. Colour took well, which is a guide to fabric content being cotton or silk. Dark centres to seed pod designs are cut from eucalyptus dyed silk (iron modified).  Light centre to pod is from bundle steam died silk with seeds and petals.  Nigella blues has variable on same pod idea.  A motif is a good means to join over a seam (smock left top). Also provides contrast to break up a solid dark or light area.

NIGELLA BLUES Smock Top Dress

When there are enough patches prepared, another garment can be made.  Size and shape was dictated by the blouse used as an underlining, the colours of which were a perfect match, being cream brown and pale blue.  Short sleeves made in dark blue lace.  Coconut buttons with bound buttonholes.  Applique patches again created with eucalyptus dyed lace and bundle dyed silk.  Back hem is drooped lower.

Nigella Blues Smock – Bound buttonhole sewing – Click to enlarge

Tasmanian Blues Making Procedure

09 Aug
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Robes First Designs

Amelia Hoskins / Bespoke garments, Dressing Gown, Robe / / 0 Comments

Original robe designs in cotton, linen, viscose, silk.  Large format rectangular patchworks were originally for quilts.

1. ORIENTAL CRUISE  &  2. LINEN CRUISE  -  Sold

3.  LILAC LOTUS  &  4. JADE GARDEN  -  Available.

I had a large quantity of white linen at the time, which inspired the cream/beige coordinations.

Some patches I painted in silk, designed to coordinate with the existing textile prints used in the robes: pale design seen in upper arm above is an enlarged version of a smaller design shown below it.  Black ornate design on right robe side is silk painted replica of smaller print.

 

Sash belt in linens

2. LINEN CRUISE - Pleat at back allows for full lower width

2.  LINEN CRUISE:

Cream, beige with colour patches, and black highlight.

Paler colours blend with the neutral cream and beiges, and splashes of black and navy are tasteful contrasts.

Robes all had sash belts in style of house coat usage.

Large patch formats were due to original ideas for quilts, subsequently converted to robes or dressing gowns.

3. LILAC LOTUS one of the original robe creations of 2009. White and lilac patchwork robe, with warm brushed cotton lining. White embroidery-Anglais detail. Modelled by Judith at the Green Fair, Barnstaple. Also modelled in the park by my daughter. Still available 2023!

LILAC LOTUS - White linen start, with lilac and taupe as contrast. Taupe silk with cheetah print. Taupe cotton with embroidery. Silk patches with lilac flowers.

4.  JADE GARDEN ROBE. (Available)

Warm winter robe or dressing gown or summer coat.

Midi length. Long on shorter women; modelled by Coral.

Green and cream theme.

Ornamental furnishing fabric, floral print, green taffeta, with cream satin sleeve lining.

Robe lining of brown cotton and cream satin.

Jade Garden Robe with print of shepardess french taapestry.

Garden scene - print of french tapestry shepardess

23 May
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Exhibition Totnes Costume Museum

Amelia Hoskins / Coat Dress, Dressing Gown, Robe / / 0 Comments

Shamanic Nights exhibition at the Totnes Costume Museum

Curated theme - 'Innovation and Fashion' - 23rd May‭-‭ 14th June‭ ‬2011

Exhibition Curator Hilary Burns I remembered from 1970s Textiles Degree course. She studied weave; myself silk screen printing. Now a basket weaver, she had also moved to Devon.  It was uncanny how she spotted my work at a craft fair and chose for the exhibition.

Totnes Costume Museum Robe Oriental Cruise and Robe Mandarin

LINEN CRUISE 1.

Robe in white linen and viscose prints shows black underside lapel of white linen collar and front edging (cut two collars contrasting) and two patch pockets.  Front has silk painted panels.  Robe is loose T-shaped structure in patches with no traditional tailored 'armhole'.  A diamond gusset is inserted under arm, under the 'T' join. Patchworks are large and long as originally intended for a bed quilt.

'Oriental Cruise' 

Exhibition featured first Robes made: using white, cream and ecru linens with viscose and cotton printed patchwork rectangles.

Upper left sleeve shows silk painted panel. Design was copied from a small scale print on robe, seen below arm, but with enlarged scale, and keeping same colours.

Robe sold.  A very pleasant scheme which may get revisited.

'Mandarin'  (sold)

Modelled by fashion student, at Cockington Court Crafts Fair

Short cotton Kimono Dress (furnishing weight):  deep no-fit sleeves and stand up 'mandarin' Chinese styled collar, sleeve turn-ups and bound edged side pocket.

Patchwork contrasts of white/black toile design and orange poppies/olive leaves.  Black and white striped lining.  Unusual colour contrasts for me, but used up similar heavyweight cottons

See more early original robes at Robes Summer Coats Originals

'Mandarin' - Making

Named for a Mandarin-style collar made with a strip on a curve (cut x 2 on bias): Piped edge in black; also on pockets.  Patchworks of equal 8 inch x 4 inch.  For attractive 'turn-ups', use contrasting fabric.  Sleeves have faux turn-ups by adding black lace layer below last black patch layer, which turns back to be stitched also 2 inches up inside lining, to reveal black/white striped cotton-satin lining.  The seam formed when stitching to lining,  gives a thicker strong line, which will enable a turn-up to sit at the fold-up nicely.

Dress hem is same black lace as end of sleeves. Adding a bottom hem layer 'frames' the garment together; cut double to stitch down inside, encasing the edges of the upper patchwork.   Dress uses same striped fabric for front facing lining for interest.

 

'Bluebird'  (sold)

Dress was also chosen for the Totnes Museum Exhibition.

Features three fabrics: olive silk, royal blue linen, with 'bluebird' printed cotton.

Independent fabric colours were a perfect match for each other, the green silk blending well next to the printed cotton.

Modelled by keen browser in rainy Exeter crafts market.

 

Patchwork robes can be bespoke made to your measurements with your own fabrics. Send me details of your measurements to adjust dummy. If you have an idea of colours, I can show you photos of coordinates in my collection.  Silk painting additional quote on enquiry.

Making fee for standard kimono styled robe with collar extended down front facing.  Style tweaks can be arranged.

Long large patches:   Short to knee - £160,  Ankle length - £200.00

Small patches 8 inch x 4inch:   Short to knee £220,  Ankle length £260.00

Extra materials cost would be lining, as I do not stock new, although I have some thin white cotton in stock.  Robes need lining.  Summer dresses need not, as patches are over laid zig-zagged.
Images copyright Amelia Jane Hoskins Please email for use permission.