Tag: robe

07 Apr

Raspberry Rose Celtic Kimono Dress

Sumptuous and totally unique kimono dress.  Mixed fabrics: including magenta pink-red velvet devore at back and a variety of silk dyed pieces at front.  Experiments with eco dyeing using plants to dye Ahimsa and Habotai silks.

 

LEFT SIDE SILK LOWER

 

Lower dress side: Habotai silk dyed in golds and purples; created by bundle dyeing [link] - Many layers of over dyeing. Definition added with logwood, lemon juice and woad.  With bundle dyed silks, after steaming, outlines can be added to create 'design' shapes, like flowers.  Useful when the dyed effects merge together with no design definition.

This has come out quite well; using just one piece, cut diagonally to add to each side of garment.

Additional blackberry dyed Ahimsa silk is used bottom front next to it.

LEFT SIDE SILK UPPER

Sleeve section in Ahimsa silk, bundle dyed with various flowers and leaves, and blackberries [background eco print session see Session 4 'To get some colour'.  A blotchy result led to being over-embroidered.

Embroidered Celtic Triskele design of 'rounds' added to silk with overplay of abstracted chain stitch embroidered 'roses'.  Added embroidered 'leaves' extend from circles down sleeve.

Black/pink cotton jersey is seen as 'cuff' below sleeve and is partial lining inside sleeves.  Together with the jersey and the Ahimsa silk, the main 'body' is very warm.

Celtic Raspberry Rose Kimono right side and back

SILK SLEEVES

View shows differences between front and back kimono dress.

Sleeves have a join following down from shoulder.  Different silk bundle dyed outcomes front and back sleeve sides.  Front Ahimsa silk embroidered; back Habotai silk eco steamed tones.

Black and pink patched fabrics seen through crimson red lace.

Black and magenta pink cotton jersey sleeve cuff is an extension of the inner sleeve lining, echoing the pinks used on dress back.  Its always a matter of what fabrics I have in stock to coordinate with.

Model 'Rose' is quite tall. shorter people would find the dress sits on or just above knee.

 

Vivid Magenta velvet devore and crimson cotton lace add a sumptuous tone to the lighter mottled front silks

LINING

Garment is built around an existing black/pink roses polyester printed lining which provides the collar and front buttoning section; i.e. the original front welt is used for front welt on kimono dress, and one side of the sash belt, which threads around waist and having back part elasticated.  New buttons and bound button holes added.  Pink silks either side of front are blackberry dyed.

Embroidery designs over eco dyeing

Original source for Celtic Triskele design is formalised plant forms within a sphere.  Not being geometrically exact, the spheres have more loose design, to simplify embroidery areas, and can be added to according to shape within garment.  Shapes within Triskeles have been modified with lemon juice to discharge some of the left over dye colour, and to create definition in the design.

Embroidery detailed around discharged Triskele designs, over purple/pink areas

Chain stitch follows the outlines of the discharged Triskeles.  Freestyle 'roses' are created within the Triskele design.

Celtic Triskele shapes painted on with lemon juice to discharge blackberry eco steamed Ahimsa silk

This is an idea to design specific coloured areas in eco prints, to be afterwards embroidered with details.

09 Aug

Robes First Designs

Original robe designs in cotton, linen, viscose, silk.  Large format rectangular patchworks were originally for quilts.

1. ORIENTAL CRUISE  &  2. LINEN CRUISE  -  Sold

3.  LILAC LOTUS  &  4. JADE GARDEN  -  Available.

I had a large quantity of white linen at the time, which inspired the cream/beige coordinations.

Some patches I painted in silk, designed to coordinate with the existing textile prints used in the robes: pale design seen in upper arm above is an enlarged version of a smaller design shown below it.  Black ornate design on right robe side is silk painted replica of smaller print.

Sash belt in linens

2. LINEN CRUISE - Pleat at back allows for full lower width

2.  LINEN CRUISE:

Cream, beige with colour patches, and black highlight.

Paler colours blend with the neutral cream and beiges, and splashes of black and navy are tasteful contrasts.

Robes all had sash belts in style of house coat usage.

Large patch formats were due to original ideas for quilts, subsequently converted to robes or dressing gowns.

3. LILAC LOTUS one of the original robe creations of 2009!

White and lilac patchwork robe, with very warm brushed cotton lining. White embroidery-Anglais detail.

White linen start, with lilac and taupe as contrast. Taupe silk with cheetah print. Taupe cotton with embroidery. Silk patches with lilac flowers.

Modelled by Sybella, and below by musician Judith at the Green Fair, Barnstaple.

Available  £110.00 direct from maker(new purchasing coming soon...)

 

LILAC LOTUS

LILAC LOTUS

4.  JADE GARDEN ROBE. see page (Available)

Very warm thick cotton winter robe, dressing gown or summer coat. Large turn back collar all-one.

Cream, beige and green theme.  Midi length. Long on shorter women; modelled by Coral, Falmouth.

Fabrics:  Ornamental shepherdess cotton furnishing, furnishing floral print, beige linen, green taffeta.

Robe inner lining of brown cotton and cream satin.  Cream satin turn-up sleeve lining.

Jade Garden patchworks - beige, green, white, pastels

Jade Garden Robe with print of shepardess french taapestry.

Garden scene - print of french tapestry shepardess

Images copyright Amelia Jane Hoskins Please email for use permission.