Tag: comfrey

22 Mar

Comfrey Soy Waxed Roses

Amelia Hoskins / Dye Bath Processes, Silk Painting / / 0 Comments

Comfrey Over-died - Wax Resist Roses on Habotai silk

Experimental use of soy wax with stencils of rose shapes, [link to wax stencils] in cold comfrey dye bath.  Wax cracks in the cool liquid which can be explored. (see floating wax fragments) I emphasised crackled result by gripping rose shapes with centre point at top of finger hold, to ensure there was a crackled pattern bursting from the centre.   This technique has good potential for an overall soy wax design or florals painted on silk before immersing in a dye bath.

Petal Bundle Dye Preparation

Comfrey dyed rose wax stencilled Habotai silk with Khafir Lilly petals, common pink Mallow and dried wild thyme purple seed heads.  Several silk pieces can be prepared and added to the same bundle dye.  I also added an Ahimsa silk piece from a previous weak woad dye.

Silk pieces are sprayed with household vinegar and carefully folded and wrapped into a bundle, rolled, and tied tightly with string.  Not every petal produces strong colour in final outcome, which depends on pressure applied within bundle. A solid tight string casing may be better.

LEFT:  Result on Ahimsa silk, purple blurred petal impressions, possibly due to piece being in centre of bundle, and/or previous woad dye on that piece.  RIGHT:  Result on Habotai silk, scanty light red petal impressions.  (impressions were less than imagined, probably due to loose string tied bundle.)  A large spread of many petals may be needed for more final impressions.

11 Nov

Silk dyed with Comfrey leaves

Amelia Hoskins / Dye Bath Processes, Plant Dye / / 0 Comments

Comfrey leaves give a cream or light beige colour, good for painting on.  Adding iron, gives a dulled greyed mushroom cream.  Comfrey leaves get mushy after boiling.

Alum is a standard means of pre mordanting fabric, to help dye absorption.  Soaking in soya is another.  Alum dissolves in water, before silk is added and soaked for an hour or overnight before dying.

I used this dye session to experiment with shibori: stitching through layers with embroidery skeins, wrapping thread tightly at intersections.  It worked but the result was too pale to notice any difference where the dye resisted.  Iron was added to the dye bath after first pigment had taken up.

Silk looks dark when wet, after iron water added to dye bath, but dried many shades lighter.  Good as a pale mushroom colour.  Shibori stitching was diagonally across weft and warp.  Pale dyes dont give the contrast seen on darker dyes.  I used only cotton thread, which did not resist much dye stuff.  Soya wax could have been brushed on the diagonal lines, to give a slight resist.  Thicker waxed thread ought be tried.

Plain comfrey dyed portion of sample

Darker comfrey + iron dyed section sample

Adding iron to comfrey dye bath turns grey green, and leaving silk submerged longer, results in a very good khaki or green-gold colour.

Images copyright Amelia Jane Hoskins Please email for use permission.