Tag: individual

22 May

Design Philosophy

Amelia Hoskins / About, Design Philosophy, Ethical Fashion / / 0 Comments

Harmonisation with Discarded Fabrics

Design inspiration comes from seeing themes evolve between disparate fabric prints and colours, rescued from charity/thrift shops, to be recreated into a new unique garment artwork.

As an artist and textile designer, I have a keen eye for the illustration and patterns in textile prints. I source those which appeal to me, variously of classical floral illustrative, geometric, and astral.  A combination of all these together with coordinating plain colours makes a good patchwork.

Not all prints are of personal favourite by themselves, but depending on their colours, I will see a way they would contrast or blend within a theme.  A dress full of rose bouquets can be cut up to introduce patch areas highlighting the best flowers.  A smaller patchwork piece/area of fabric can become more special than the full repeated print area.

Cotton lace tops (often cotton/acrylic mix) are another good find, as they can be layered over other colours.  Most synthetic lace fabrics also surprisingly take up plant dye to some extent, which removes any stark whiteness, too brilliant for patches amongst colours.

I usually choose a starting point of a print, or a part of a garment. then make a pile with other colours and prints (5 is usually sufficient to start with).  As you do this, one choice may be removed and replaced with another, as the combined effect literally 'shouts' too dark, too light, etc., depending on the theme in mind. The most subtle patchwork is when the overall effect is of fabrics of a similar tone; i.e. nothing too light, nor too dark, on its own.  I often do include black with a strong colour collection, due to its fashion favouritism, but am more careful with lighter tones and darks mixed, when making patch-worked garments using panels larger than traditional patchwork.

Silk Painting Inspirations

Some garments have my hand painted silk panels.  The print designs in each fabric collection may suggest a new design to be developed further, using their elements to create a silk painted panel, or I may simply copy some elements combined with other images of my own.  Colour mixing dyes to match the existing prints is an essential skill.  My silks, Habotai or Ahimsa, are base dyed with natural plants, in pastels and mostly golds.  In 2024 I'm experimenting with clamp dyeing backgrounds and making dye paints from plants and roots to use instead of commercial chemical dyes.

 

22 May

Hopi Bird Silk Designs Dresses

Amelia Hoskins / Dress, Silk Painting / / 0 Comments

Hopi Bird Silk Designs - Three Dresses

Dresses Available

Dresses with silk painting of stylized Hopi birds

Opaline Rose dress has tier of grey silk painting with Hopi birds and embroidered Native American quotations

Red Hopi dress has two front silk panels with stylized Hopi birds - black/red on white, and red/white on black.  Patchworks uses a red linen skirt and black viscose print in long red dress design.  Vogue pattern used: V1234 by Sandra Betzina.

Grey Hopi pinafore has front silk panel of Hopi Birds with feathers and native American sayings combined with grey cotton panels from a Per Una skirt. Winter thickness. Slim fit: (UK size 8 bust, UK size 10 hips)

All dresses modelled by visiting Spanish teacher guest Marian

Grey Hop Pinafore - Design Motifs

Bird designs are 'curved' exactly as the originals on Hopi pottery, but applied to a two dimensional surface of Habotai silk. Feathers were added around the birds together with a selection of embroidered Native American quotations.

Printing Experiment:  Texture of gold on grey is made using cardboard print block.  Dried corn cob leaves which have fine narrow ridges were glued onto a cereal packet cardboard, varnished (acrylic water based) 3 layers.  The maze leaves fibre formation has quite pronounced ridges, which resulted, when printed, in natural looking printed lines.  I used epaissisant thickener with gutta as a printing paste applied to the cardboard printing block, then pressed on to the silk, and dried before adding the grey dye.  The end result after steaming was mostly a blur, but still provides an interesting painterly background texture, which could be developed with different colour overlays, where overlapping lines would create extra colours.

    Native American Quotations embroidered on silk: 

"Walk lightly in the spring: mother Earth is pregnant" ~ Kiowa

"Plants are our brothers and sisters; they talk to us and if we listen we can hear them" ~ Apache

"After dark all cats are leopards" ~ Zumi

"We will be known forever by the tracks we leave ~ 

Red Hopi Bird silk painting

Dress side panels show red/orange/black on white ground, and red/orange/white on black ground.

The vogue pattern facilitated side extended pieces which hang well in silk. Red linen bodice is made from a skirt.  Polyester red/orange print used for upper and center panel.

I've always been intrigued by Native American culture and found images of abstract bird designs of the Hopi Indians applied to pottery. They reached a height of decorative abstraction, adapting bird designs to fit over any curved pottery surface; a brilliant applied design, in natural pigmented black, terracotta and cream colours.

RED HOPI LINEN DRESS side view. Lower contrast pieces are as the Vogue pattern. Dress is shaped wide at lower hips, then tied to fit hip size. Black sleeves are model's own garment.

RED HOPI LINEN DRESS back view. Beige cotton back piece, with black spotted viscose lower panels.

Hopi Bird silk painted design in russets, orange, pinks with embroidered Native American sayings

Autumn colours pinafore.  - Brown, russet and pinks of silk painted stylized Hopi bird sections.

Coordinating with brown fabrics.  Pattern taken from a dress bought in France. (Sold)

Images copyright Amelia Jane Hoskins Please email for use permission.